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K . r . i . s . t . e . l . V . a . n . R . o . d . e
Art
Projects
Fresco Mosaics
Distance creates desire
Love is all
Project 33
Shop
Stories
Login Account
English
0
0
Art
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Fresco Mosaics
Distance creates desire
Love is all
Project 33
Shop
Stories
Login Account
English
Back
Art shop Beyond the threshold
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Beyond the threshold

€1,272.00

Panel with Lime putty (also called pit lime) carrera marble powder, home-made casein paints with fresco pigments, wax | 60 x 60 cm | 2023.
Including white American frame of 67.5 x 67.5 cm for a floating effect and 1 hook system, the painting itself is 60 x 60 cm.

In the Middle Ages, the technique of fresco involved applying pigments directly onto wet lime plaster, allowing the colors to become embedded in the drying plaster. The use of casein paints on a dry fresco surface is a more modern variation, where the casein acts as a binder for the pigments and is applied after the plaster has dried, allowing for greater control over the color application and potential for modifications.

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Panel with Lime putty (also called pit lime) carrera marble powder, home-made casein paints with fresco pigments, wax | 60 x 60 cm | 2023.
Including white American frame of 67.5 x 67.5 cm for a floating effect and 1 hook system, the painting itself is 60 x 60 cm.

In the Middle Ages, the technique of fresco involved applying pigments directly onto wet lime plaster, allowing the colors to become embedded in the drying plaster. The use of casein paints on a dry fresco surface is a more modern variation, where the casein acts as a binder for the pigments and is applied after the plaster has dried, allowing for greater control over the color application and potential for modifications.

Panel with Lime putty (also called pit lime) carrera marble powder, home-made casein paints with fresco pigments, wax | 60 x 60 cm | 2023.
Including white American frame of 67.5 x 67.5 cm for a floating effect and 1 hook system, the painting itself is 60 x 60 cm.

In the Middle Ages, the technique of fresco involved applying pigments directly onto wet lime plaster, allowing the colors to become embedded in the drying plaster. The use of casein paints on a dry fresco surface is a more modern variation, where the casein acts as a binder for the pigments and is applied after the plaster has dried, allowing for greater control over the color application and potential for modifications.

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